‘Made in China’, but Singaporean.
For 30-year-old Ou Ningfei, who migrated to Singapore with his family when he was 7, this puts him in a spot where he was, in a way, stuck between two cultures.
Being a foreigner meant being an ‘outsider’ in a land foreign to him, and some of the things he experienced back then include being treated with prejudice, or “they would start to interact with you lesser because they see that you’re from another place.”
Such ostracising and marginalising behaviours towards migrants are ubiquitous, but it is also exactly that that often makes our society forget empathy.
Fortunately, those experiences only pushed Ningfei to pick up on the nuances of the local culture more quickly. And today, his identity as Singaporean is no less than any other born-and-bred locals, for he has spent almost this entire life here and also fulfilled the service of every Singaporean son.
However, for many other immigrants who come to Singapore in search for better livelihoods, the privilege of being accepted by society may not exist.
Besides personal experiences, Ningfei also had his share of interaction with migrants and the hardship that they face. His parents were migrant workers themselves and his mother, a regular volunteer at church events that support migrant workers.
“I’ve seen the spaces that [migrant workers] occupy, the issues that they face, physically and socially. And many times, they get exploited in so many ways.”
Migrant workers lack privilege and power of influence in a foreign society, making them more susceptible to being taken advantage of by errant employers.
“There are so many stories that are so hard to hear, so painful,” Ningfei added, as he shared about migrant workers who end up with injuries or even permanent impairment caused by their work, as well as the exorbitant agent fees and low salaries.
In an interview with another publication, Ningfei shared that some workers pay “as much as $3,000 SGD to $15,000 SGD to their agents in home countries like India and Bangladesh.”
Once, at a gathering he and his mother were helping out at, Ningfei met a Chinese migrant worker who was forced to do OT for 2 weeks straight without remuneration. Seeing that the worker had come at almost 10pm to collect the packet of Cai Png for dinner, Ningfei spoke to him to understand why.
Describing the grease, grime, and blisters that marked the worker’s arms and hands, Ningfei recalled, “You can tell how hungry and tired he was. He was crying and telling me how he hasn’t gone home for a long time. And I realised how even though we were around the same age, we lead such different lives.”
“You look at people like him, and you know that there’s really a lot of things you can do for the underprivileged.”
After having helped out at many welfare support events for migrant workers together with his mother, Ningfei decided to do more on his own.
In 2018, he started Labour Arty, a ground-up initiative that leverages various mediums like photography and digital media to promote appreciation and awareness for migrant workers in Singapore.
“The genesis of this is that I’m Singaporean but I’m from China. My parents are migrants themselves, which is why my heart goes to migrant workers.”
With the support of friends, Labour Arty shot and launched their first project: A humble photography exhibition titled Blind Spots. It captured a sight familiar to all of us but often go unnoticed.
Since then, Labour Arty have gone on to launch several projects. These include the Tap4You project, which encouraged NUS students to share a meal with migrant workers, as well as the Yellow Helmet Challenge, one of their earlier works, which aimed at increasing the visibility of and appreciation for migrant workers.
Just recently over Chinese New Year, they also partnered with sponsors like Impossible Foods and Dumpling Darlings to organise a Dumpling Party for migrant workers who were affected by the travel restrictions arising from the COVID-19 situation.
Besides championing for the migrant workers, Labour Arty’s work is also a subtle approach at increasing social harmony in a community. This is especially important in Singapore, as our society is such a diverse conglomeration of different nationalities, races, and cultures.
“We try to change the perspectives people have of migrant workers. By increasing awareness amongst those who aren’t aware, and by making those who are aware be more ready to stand up, so that [migrant workers] don’t get exploited.”
However, juggling full-time work and personal commitments on top of running a ground-up initiative comes with its share of challenges of course. For example, the lack of resources to do more.
Although Labour Arty has been fortunate to receive support from various parties and organisations including the National Volunteer and Philanthropy Centre, it is fully run by Ningfei and a team of like-minded friends on a volunteer-basis.
A full-time product and process manager himself, Ningfei explains the constraints they face in championing for change.
“It’s fun for friends to help out for one or two projects, but it’s tough to sustain an entire movement.”
However, the mission has always been very clear to him: Every little bit helps.
Citing several similar movements and initiatives like Migrant x Me and Sama Sama, he spoke about the inspiration he draws from them, as well as the sense of camaraderie in working towards a common cause.
He also emphasised the importance of collaboration and finding the right partners in achieving the mission, “good partners can give you support and help you spread the work you do.”
Besides Labour Arty, Ningfei also co-founded another groundup last year. Aptly named codeToLove, the initiative helps other non-profits with their IT needs.
In some ways, codeToLove is also a passion project and one that allows him to help amplify the good that others do while practicing what he likes (designing and writing digital/UX content).
“If I am to be labouring, it better be for good, and to have some fun out of it,” he explains.
“If it’s purely meaningful but not fun, it’s going to be miserable. But if it’s fun but not meaningful, then it’s not going to mean much at the end of the day.”
And yes, at the end of the day, Ningfei’s motivation is something that many of us can relate to, which is a desire to derive meaning and enjoyment out of what we do. It can come from your job, or it can come from starting your own groundup, but what he said will ring in our ears for a long time to come: “Do something that’s close to your heart.
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(This article was written in collaboration with the National Volunteer & Philanthropy Centre.)
(All images credit: Ou Ningfei and Labour Arty)
Her home had become a place of solace for her, a fortress she can’t bear to leave.Likewise, this is the case for the many hikikomori in Singapore, who have taken to forums to pour the feelings that they have hidden away from their friends and family.
“Maybe we were too sheltered. Maybe we were too spoiled and everything comes to us easy and without any barriers. Back then, I felt that no matter how useless I was, I would still be able to live comfortably, or still be able to live somehow.”An avid fan of Disney’s classics, Josh had a grandiose dream of being a 2D Animator for Disney. When news broke that Disney closed down their 2D animation company, his hopes and dreams were dashed. Dejected, he let himself waste away, passing the days by gaming and watching anime at home.
In fact, most, if not all, hikikomori hate the plight that they put themselves in, and they are ashamed of it.“When I was hikikomori, I lost all desire for wants. Normal things like going to movies or buying expensive new things don’t interest me anymore. I don’t know why I exist, to be honest. Sometimes I can feel my parents’ disappointment in me and I don’t feel good too,” shares Andrea. They have confined themselves to their homes, but most hikikomori actually want to return to society. However, the fear and anxiety of how society may react to them. Even if they manage to take the first step out of their homes, they are plagued by this constant fear that they are being judged by those around them, afraid that the world wouldn’t come to accept them because of their past. Maika Elan, a Photographer exploring the topic of hikikomori, shared on National Geographic that “Over time, hikikomori lose whatever self-esteem and confidence they had, and the prospect of leaving home becomes ever more terrifying. Locking themselves in their room makes them feel ‘safe’.” Similarly, Andrea admitted that the very paranoia of being judged for being a hikikomori is the toughest obstacle she had to overcome. She would often slip back into isolation because of it. Thanks to volunteer work at a church, Andrea was able to break out of the hikikomori syndrome. She eventually managed to land herself a job through one of the other volunteers. As for Josh, he stumbled upon the animes Re:Zero and Konosuba, which shifted his perspective on life. Both shows feature male protagonists who were hikikomori and Josh was able to relate to them strongly. “In Re:Zero, it tells us that no matter where you are, nothing’s going to change if you don’t put in any effort to take charge and improve yourself.” Witnessing his friends’ success also pushed him to eventually change his lifestyle.
“What gives them the drive to keep doing what they do? Why are they set on improving themselves and going out there to find jobs and socialise, and to be proactive with their lives?”These were the questions that Josh posed to himself, and subsequently embarked on a quest to uncover. “Sometimes it’s hard, but you just have to remember that there are other people out there who are struggling and still trying their best as well.” Today, he works as a Digital Designer, which is not too far off from his initial dream. Although, there are others who struggle to break out. “It all started after he finished his degree overseas and came back. He didn’t find work and just stayed at home gaming and surfing the net. We’d ask him to come out for coffee or meals but he’d always turn us down.” Tim*, a male in his 30s, shares with me about his friend who has been a hikikomori for over 10 years. “I’ve a feeling that the shame of being long unemployed while everyone else is working just drives him to become a hikikomori. I guess his parents still buy him food or give him spending money so he doesn’t need to force himself to get a job.”
“There’s only so much that others can help you with. Only you can change yourself. Even if it’s for your parents or yourself, I hope you will find it in you to want to get better.”“We all are living for a reason. We need to reflect on that more often, to put our lives into perspective. Once things are in perspective, it will all make sense in the end.” “After all, life exists and thrives beyond these four walls, but it’s up to us whether or not we want to open the door to live.” *Names have been changed to protect the identity of the individuals. Also read: It’s The 21st Century, Why Do We Still Treat Maids Like Slaves? (Header Image Credit: Unsplash)
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